The Sword in the Stone
an endlessly familiar
thing
comfort
like that scene in Who
Framed Roger Rabbit
where a scapegoat drowns
over and over again
with the dishes
but can in fact escape
but only when it is
funny
or that episode of Chip
‘n’ Dale Rescue Rangers
where a mousey
polynesian princess
perfect doppelganger for
everyone’s elusive ideal object of affection
aka
a gadget
seduces both crack
detectives
simultaneously
and sets her double up
to run the gauntlet
I have thought and
always thought
that unconditional love
meant self-denial
for the other’s
happiness
if anyone can even
really ever have been said to have denied themselves anything
and I wonder sometimes
what requited means
or maybe consummated
or maybe requisitioned
or maybe consumer-happiness
index
since I’m sure I’ve
denied it you
the way you’ve denied
it me
open up cartoon
volcano
let me feel your
Platonic pools of
comfort
pink squirrels crying
in the cartoon air
Tom Oristaglio lives in Brooklyn, New York where he writes poetry and makes photocopy collage art. His work has appeared in Fourteen Hills, Parallax (Singing Saw Press), Anatomy & Etymology, Cricket Online Review, and elsewhere. He is an assistant editor at The Atlas Review.
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