from
In
the Gun Cabinet
in the theater of fear
the curtain rises
when it falls, I applaud
& move back a row
through the orchestra, mezzanine
on stage, the same scene
repeats as I lip-synch
the score in each seat
up the stairs,
in the nosebleeds
exhausted, I wear
my language trailing
like a bride’s train extending
up the steps I descend
to
the last seat I left
with the pair of lorgnettes
I needed at the end
of
my vision, a door—no
a veil
at the edge
of experience, a curtain
a garter on the border
of my tale, a vestige
a bride’s train extending
to the lip of the stage
an old picture, bleaching
my
actor, the way I recall him
my
lips part, I pin him
his
spine with my tongue
to the frame
my spit like glass
his body in motion
beneath it, pulsing
a sentence, looping
its speaker, a garter, who
wrested like gun
then
turns on her self
suspended
Mike Lala was born in Lubbock, TX and finally lives in New York. He has two chapbooks: [fire!] ([sic] Press 2011), and Under the Westward Night (Knickerbocker Circus 2010), and poems (soon) in Boston Review, Fence, The Brooklyn Rail, Colorado Review, The Awl, VOLT, and others. www.mikelala.com.
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